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Avion en papier

Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.

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Kent du Pre has Origami Owl done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, nevertheless the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami Instructions Animals Origami.

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Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the

other to avoid the complexities of a model achieved exclusively by folding.

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The cutting out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art form. Supporting A way of moving

away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form organic beef use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.

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In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has recently been used and one Dessiner Un Avion En Papier can make sure of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be gentle and that we are approaching sculpture rather than Origami.

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Origami Box
Within the most extreme mixtures of water and paper we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe most basic step from a single coloring is one side colored and one white or plain. A great deal of modern Origami exploits this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. Avion En Papier Simple à Faire A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.

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The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded Avion En Papier Propulsé Avec Un Elastique together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to symbolize some part of the creature and then brought together. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a dragon from a quantity of squares of different sizes.